Four years after the buzz of Club Azur, Kungs reaches a pivotal milestone. This Friday, 13 March 2026, the Toulon-born producer, now based in Lisbon and recently a father, unveils his third album: “Out Loud”. More than a simple collection of tracks, this 10-track album stands as a multisensory work, where his…
Four years after the buzz of Club Azur, Kungs reaches a pivotal milestone. This Friday, 13 March 2026, the Toulon-born producer, now based in Lisbon and recently a father, unveils his third album: “Out Loud”. More than a simple collection of tracks, this 10-track album stands as a multisensory work, where his signature sound is enriched by a bolder italo disco and club vision.
The project, which took two years to mature, was born from a desire to break free from deadlines and aim for something timeless. Kungs leaves behind the more melancholic chapter of recent years to reconnect with the sunny, festive energy of his early days, a choice driven by a personal balance he has found again. From the opening, the album embraces its collaborative DNA: we come across the groove of PNAU on the sunny Light Me Up and the boldness of Channel Tres on the punchy Nasty. But it is with his mentor Boys Noize on Get Away that the artist delivers his favourite track, an “edgy” house cut designed to be played raw, with no frills.
Beyond the technical side, this album marks the end of a certain search for legitimacy. Long held back by “impostor syndrome” despite worldwide hits, Kungs finally feels ready to stand behind his own catalogue. This new chapter will peak on 3 April at his very first Zénith de Paris, a show built entirely around his own productions and an immersive stage design. A shining demonstration that house, in the hands of Valentin Brunel, remains the most fertile of soils.
